Simply add the software to the basket and at the delivery stage in the checkout please select " Digital Download - Software by email " as your delivery method. The cutoff for same-day dispatch is pm but can vary at busier times such as Christmas. Delivery Notes On delivery you must inspect the goods carefully for damage as Inta Audio is unable to accept responsibility for damage in transit, shortage of delivery or loss of products unless the customer advises Inta Audio of such within three working days from the date of delivery.
Returns Policy We ask that you follow these guidelines to help us process your return as quickly and efficiently as possible: 1. Please keep your order reference to hand. Contact our Customer Services Team on or e-mail cs inta-audio. We will then send you an RMA number and returns form which needs to be completed and sent back with the returned item s. If the order has been unpacked re-package it to ensure that it is being returned in its original condition.
Please make sure all items relating to the product are returned, including manuals and cables. Returned items must be mailed within 10 days of when the RMA Number has been issued. Items received with a post date 30 days after your requested return will NOT be eligible for refund. Please note: Our returns policy is quite straightforward but there are a number of conditions that we ask our customers to comply with before applying: 1.
It is your responsibility to request a return. Once you do tell us, we will do everything we can to action it. If you have not requested a return within 28 days of receiving an order, we will have assumed that you are intending to keep it and we will not authorise a return. We always refund the payment according to how the original purchase was made and aim to do so within 72hrs of the return being received by us.
This charge will be subject to our inspection of the returned goods. Delivery charges will not be refunded unless the delivered goods are faulty. Replacement products are dispatched immediately after the returned goods have been received and accepted by Inta Audio.
Items that develop a fault within 30 days of delivery are eligible for a replacement or a refund. Delivery costs are also reimbursed for faulty items. In fact, using them in other contexts provides an intriguing combination of freshness and deja vu; these are highly playable, "organic" sounds that have intrinsic merit and coolness, regardless of their lineage. The quality is undeniable, I can't imagine what East West must have gone through to track down these sounds and get engineer Ken Scott on board , tweak them to perfection, and adapt them to a virtual instrument format.
Bottom line: There are many great sound libraries out there, but this is a tour de force. Standouts for uncanny realism include, well, pretty much the entire library — the guitar sounds are so authentic they could have been lifted directly off the original multitrack session tapes. It should also be said that if you're looking to recreate the Beatles sound with other libraries, you really have to know what you're looking for.
In Fab Four, so much of the work has been done for you that, uh, all you need is love. Bottom line: Fab Four is a major accomplishment, and entirely worth the money.
The drums and bass sounds are evocative of Ringo and Paul and the keyboards work excellently in any record production pastiche--just like the Beatles used them. The instrument's GUI includes many studio effects you can add to any sound such as convolution reverbs, delays, compressors and the Beatle's often-used ADT artificial double tracking tape recorder effect. As a collection of authentic Beatle sounds, Fab Four Virtual Instruments turns out to be an excellent record production and songwriting tool.
In all honesty, this was a library I didn't expect to be very interested in. I found it admirable from an artistic standpoint that EastWest would go to the trouble of putting out what I expected to be a very esoteric product, but would anyone really be interested enough to open up their wallets?
Wow, was I wrong. This is a charming sample library that grows on you the more you play it. It's hard to imagine anyone not developing a severe crush on at least some of these instruments. Given their beauty, and the ease with which they can be molded, the bulk of the Fab Four samples are both outstandingly accurate reproductions of sounds that helped create some of the most memorable music in the history of rock, and sample sets that can be turned into aural tapestries that evoke an earlier era without being tethered to it.
Fab Four is a true jewel for all fans of the classic Beatles sounds. Producer Doug Rogers and engineer Ken Scott, who has worked for example with the Beatles, David Bowie and Elton John have tried with almost boundless efforts to capture the sound spirit of legendary recordings. Not only instruments and amps of that time have been used, also the authentic recording equipment. In addition, they got competent help by two former Wings members, Denny Seiwell drums and Laurence Juber guitar.
Fab Four is an accurate collection of sounds that created pop history, and are a great starting point to create new songs, and create alternatives to modern sounds.
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