In the village, temperatures can sometimes drop below zero even in the spring months. The freezing temperatures are described by a funny proverb in the village. It is said that, in Zabar, it is so cold in the winter that the cat breaks in two when it turns a corner. Save my name, email, and website in this browser for the next time I comment. Support us.
Anxious of being alone, have Joshua's prayers been answered? Skirting conventions of the sad sack who finally finds love, director Martin Edralin chooses a more subtle path and does so with aplomb. Does our protagonist fall in love? But does he live happily ever after? Hadashi aka "Barefoot" is a samurai cinema-obsessed Japanese high school teen who feels alienated from the rest of her school's film club. She spends most of her time watching the classics with her two best friends: a kendo enthusiast and a sci-fi geek.
Tired of competing for attention with the club's director and her incessant rom-com endeavors, Barefoot decides to finally produce her unrealized script Samurai Spring over the course of a summer, encountering some interesting challenges and people along the way.
Starring Japanese pop idol and actress Marika Ito, it's a rare female-focused story about young artists who discover themselves through their craft yet manage to retain a sense of joy along the way and recognize the absurdity of the production experience.
Incorporating multiple genres - romantic comedy, swordsmanship, even science-fiction, this film has the potential to inspire others to dust off that screenplay and set up the first take. High school student Ito lives in rural Aomori prefecture in northern Japan. Teased at school for her thick accent and Tsugaru dialect she has become introverted and afraid to speak.
Her only creative outlet is the shamisen, which she learned to play in the style of her mother and grandmother. When Ito sees a job advertisement for a 'maid cafe' in Aomori, she sees this as an opportunity to break free of her shyness.
Aomori's only maid cafe is a bit different from the ones in Tokyo, and desperate for a new waitress, Ito gets hired on the spot. Slowly but surely Ito begins to emerge from her shell.
But when disaster strikes on the job it may be the shamisen that rescues her and the cafe after all. Director Yokohama, herself an Aomori native, captures a sense of authenticity in the film, solidified by the breakout performance of the young Ren Komai as Ito.
Indigenous Lens , Pacific Showcase. Ahead of her th birthday, Isey and her devoted son James prepare for the party of a lifetime. Cheeky and vivacious, the year-old is preparing to celebrate her centenary.
Over the next seven days, as James organizes the festivities, director Florian Habicht captures their devoted bond — to each other and to the spirit world — as well as their infectious aroha love. The result is a cheerful and big-hearted observational documentary that recounts the inextricably linked stories of person and place. Jangmi , Insook, Choong Sik three friends go on a trip. Jangmi wants to have a happy trip, but Jangmi is keep worrying about the relationship between Insook and Chong Sik.
Clifton Collins Jr. Longtime trainer and sometime friend Ruth Molly Parker lends a sympathetic ear and a sought-after horse to increase his chances of that last victory lap. As Jackson reconnects with fellow jockeys who have made similar sacrifices - physically and emotionally - to become elite athletes in their insular sport, a rookie rider arrives claiming to be his son.
Director Clint Bentley, with co-writer and frequent collaborator Greg Kwedar, crafts a poignant, realistic character study of a man who grapples with his professional legacy through a growing bond with a young athlete who reminds him of himself.
The cinematography often captures the characters, many of whom are actual jockeys, in the gloaming - the glow of the setting sun like a collective memory of their halcyon days in the winner's circle - against the darkening desert plains. Director Bentley is on solid ground here, as his father was a jockey. Collins Jr. As Gabriel, the potential heir, Moises Arias's eager-to-please vulnerability not only gives new purpose to a weary Jackson, but also signals a passing of the torch to the next generation of jockeys who will possibly follow a less self-destructive and lonely path.
South Korea , United States. When a rising young Korean stage actor, Junho, finds himself embroiled in a terrible scandal, he flees his conservative community of Seoul; leaving his past behind, with hopes of a fresh start. When Junho arrives in San Francisco, we see his almost comedic struggle to communicate among language barriers and cultural differences. We also witness his internal struggle with the deep guilt he feels surrounding a situation from the past in which his inaction left a woman in serious need helpless.
A woman who happened to be his best friend, Jin. Instead of focusing on the moment of abuse, the film depicts the journey of a bystander's life before and after the incident as the portrait of youth and transgression.
David Seok Hoon Boo, in his directorial feature debut, intertwines themes of sexual abuse, male culpability, immigration and identity. One night, he hears a familiar voice calling him from the beach, and what he encounters is beyond anything he could have imagined. At the age of six, director Kent Donguines' mother left him and his family to become a nanny. Years later, his film Kalinga Care shares the stories of several Filipina caregivers and nannies in Vancouver, bearing witness to their sacrifices as they struggle to reunite with their children and families.
Cambodia , United States. Growing up in the slums of Phnom Penh, Leng Heng has learned about the reality of his world, which is doused in poverty and constant fear of forced relocation. During the day, he plays with his rascal friends and helps his aging grandmother. At night, he dreams of his past life. After being awoken by a memory from his past-life, which also reveals the location of treasure, Leng decides to recruit friends to help him find the fortune and change their lives.
Using "nanobugs" as their digital map, a device used to see dreams and experience an augmented reality, Leng invites a young, street-smart orphan from his neighborhood to help their search, promising the lion's share of the treasure to her.
But what begins as a playful treasure hunt soon leads to a discovery that could challenge the idea of digital enlightenment or force Leng into total loss of identity. With director Jake Wachtel at the helm, viewers are taken on a visually-stunning expedition alongside Leng, exploring the techno-philosophic world of rebirth. Pre-pandemic Chase is a productive student who is passionate about the environment. When the lockdown order is issued, he becomes lazy. Not wanting to continue his routine of productivity, his house is a mess, and the things he cares about become neglected.
What will make him realize his actions are affecting others? Jung-hee and Min-young are best friends about to graduate high school. They disband their acrostic poetry club to study for their college entrance exams. Min-young ends up at Daegu University which, she laments, is not actually in Daegu , while Jung-hee languishes in her hometown, working a repetitive job that she claims is just a stepping stone to better things.
One day, Min-young invites Jung-hee to meet up with her in Seoul. And so we follow the misadventures of these two girls-some real, some imagined, some remembered-as their lives begin to diverge. But its pared-down style reflects a culture even more heavily mediated by the flatness of digital screens and social media, landing somewhere between an Instagram stories aesthetic and the films of Chantal Akerman.
As Jung-hee and Min-young learn, the intimacy of friendship is a painful thing to maintain in a world that keeps its distance. RSVP below to receive a direct link for the event. In this virtual panel, enjoy stories from Indigenous creatives from Pasifika and beyond about how they center their cultural upbringing to create community-specific and place-based media, as well as the movement to grow, strengthen, and support new and existing media connections across the global Indigenous community.
This panel is part of a series of events produced by Nia Tero, a global non-profit supporting indigenous land sovereignty, and the forthcoming Kin Theory Indigenous media makers database.
It's in Beijing, and domineering businessman Chen Handong Hu Jun lives a life of expensive taste thanks to his company's success. But when he meets a young architecture student from the countryside, Lan Yu Liu Ye , the two men become first sexually, then romantically involved. Provocative references to the Tiananmen Square protests and the financial crisis of anchor the film's passionate melodrama to the stark reality of the world around its lovers. As age and class become major fault lines in Chinese society, Handong and Lan Yu also reach several breaking points in their relationship.
Handong tries to win over Lan Yu with his wealth, while Lan Yu rebukes his attempts to buy his love. But their lives constantly bring them back into contact, leaving them wondering what social barriers love can really transcend, and why-despite everything against them-they still love each other anyway.
A byproduct of migrant workers brought together decades ago, she struggles to reveal a deep secret to her mother on the final day of the mill's operation. A blossoming of romance in one night. But Shuichi soon learns that his desire to maintain peace cannot withstand. After a sinister criminal named Uebayashi Shigehiro, a former member of the Itako gang, is released from prison, Shuichi's work begins to unravel. Shigehiro is out for revenge, attempting to avenge his now-dead boss' death, and willing to go to any extreme to end Shuichi's bid for peace and achieve his goals.
But when Shuichi forces a Korean immigrant to infiltrate Shigehiro's gang, all hell breaks loose. Life Below Water provides a bleak glimpse into the current state of our oceans where pollution increases at an alarming rate. In this engrossing, charming, and, at times, unsettling nature documentary, Academy Award winner Morgan Freeman introduces us to a new species swirling in the depths of the ocean: plastics.
Life Below Water details a somber underwater world of plastics and a future of irrevocable marine life damage if we don't take action now. Spotlight on China , Spotlight on Hong Kong.
A serial killer is on the loose. Under public pressure to solve the case, the police reinstate veteran detective Cham Gordon Lam Ka Tung on active duty and assign him to the case with rookie cop Will Mason Lee. However, Cham's past returns to haunt him when he encounters To Cya Liu , the girl who killed his wife and child in a car accident.
To redeem herself, To volunteers to work undercover for Cham on the case. However, Cham can't control his hatred for the person who destroyed his life.
As the idealistic Will and the emotionally unstable Cham clash over their vastly different investigation styles and Cham's abusive attitude towards To, the truth becomes increasingly blurred Soi Cheang crafts a metropolis that is vast and dense, teeming with a dark underbelly that threatens to overtake the urban sprawl. Budget cuts and a small student body cause Jiu Pu Elementary to be threatened with closure.
In an attempt to prove their value as an institution and keep their doors open, the school enters a choir competition with the hopes of winning. The school tends to children from the Bunun tribe, an indigenous group from Taiwan that is known for their musical ability. Despite being musically challenged, Mr. Fang, along with Ms. Huang, the newly hired substitute, take on the challenge of teaching the children to sing.
While attending choir practices, the school children struggle with their own responsibilities at home, as many play crucial roles in attending to and earning money for their families.
As the competition nears closer, the children begin to enjoy singing and excitement builds around their performance. By coming back to their traditional roots with the help of tribe elders, will the children find their own voices?
A pioneer of sustainable cooking decides to close his popular restaurant and pursue a new recipe for life. Over the course of a single day in four vignettes, a group of interconnected artists, novelists, and filmmakers have a series of interactions, some planned, some by chance. In a Hong Sangsoo-esque fashion, the protagonists in this conversational film muse over love, life, longing and art.
When a novelist moves into his new house, he is bombarded by a strange woman who claims she used to live there. A budding filmmaker scouts a location she wants to shoot with her boyfriend, but arguments get in the way. Two people who lost their spouses in the same car accident connect and deliberate whether the deceased were having an affair. And a writer visits an old friend, hoping to receive permission to turn her story into a film. With humor and drama, this lyrical film from director Cho Sung-kyu explores our human desire to create meaning in our lives, even where there's none to be found.
Films made from the outside that celebrate art made by modern Indigenous peoples, have a tendency to see the artists' works through the oppressive prism of settler colonialism for more than years. Rather than categorize the artists by nation or tribe, the documentary moves quickly from artist to artist, mixing genres that run the gamut-from jazz singing to folk ballads to grinding metal bands to profane discussions about the use of farts in performance art.
Harjo, himself Seminole and Muscogee Creek , takes his camera along to follow Native artists across the United States, and even to some European countries, to show how far-ranging this constantly evolving field of art is being appreciated. As Harjo describes in this funny, absorbing doc, filmed over the course of a full year, "We are diverse, we are dark, we are beautiful, and so is our artwork.
MAD GOD was initially a lark project - a short film that he would fabricate in his garage in-between his big budget Hollywood gigs. Who knew that this outstanding stop-motion piece of cinematic insanity would take 30 years to make! Defying description, MAD GOD opens with a steampunk explorer as it navigates a series of horror-filled worlds populated by deranged mad scientists, gruesome experiments, masturbatory dolls, and amorphous creatures made of flesh and machinery.
An insane collage of styles, tones, inspirations, and unique ideas brought to life with meticulous detail, MAD GOD is a stream of consciousness manifesto swimming with Tippet's uncompromising psycho-analytical perspectives on humanity and its downfall.
He has embraced them more in his advanced age, fortified by his decades long career working in Hollywood, which he wholeheartedly rejects. It is a beautifully deranged artistic achievement with an uncompromising vision. In the end, Tippett is the "mad god," a creator and destroyer of worlds with a limitless imagination and some of the best handmade animation you will ever see.
Made In Hawaii Shorts Program 1. Made In Hawaii Shorts Program 2. Made In Hawaii Shorts Program 3. Chamorro Filipino choreographer and dancer Caili Quan pays tribute to the family and culture on Guam that inspired her love of dancing. Set over contemporary dances, Caili explores her own heritage through memories and conversations with her family. Each dance is inspired by a facet of Guam's culture: oral storytelling, matrilineal roots, the warrior spirit, and the deep importance of family.
This film follows a young Native Hawaiian woman as she shares common struggles related to reproductive justice, as well as her personal experiences. She reflects on the isolation she felt, as well as the hope that came when she realized that there were people and organizations available to help her. She also encourages the audiences to take advantage of those resources and come together to build a society that is more conscious and just regarding reproductive rights.
A couple who makes malasadas in central Maui and the importance of keeping the old traditions while making them. An introspective look into Hawaiian identity and living on the mainland, filmmaker Ha'aheo Auwae-Dekker uses a candid conversation with their mother to dissect and deconstruct where they come from and how their family has lived in diaspora.
As we visit the town today, Manzanar continues to be home to indigenous communities who have serious concerns about the water on their land. Ann Kaneko's poetic documentary explores the erased history of Manzanar, before the U. This documentary is a contentious memorial to the internment of Japanese Americans and the little known grounds where indigenous communities have fought for their rights to the lands and water that sustain them.
Poetically weaving memories of Native Americans, Japanese American WWII incarcerees, and environmentalists, the film unites an intergenerational community of women, fighting for their land and their rights.
Sammy newcomer Miya Cech in a heartfelt performance is struggling to cope with the loss of her mother and gets constantly called into the principal's office, much to the chagrin of her also struggling father Leonardo Nam. Fed up with her wild behavior, he enrolls her in a summer course-if she fails, she'll be sent to a boot camp for juvenile delinquents. Margot forces Sammy to be her assistant for a performance, and although Sammy seems uninterested, she seeks Margot out after the show and asks to become Margot's pupil.
Margot agrees, and as their unlikely friendship grows, we learn that she and Sammy understand each other more than they expected. Director Kate Tsang, in her directorial feature debut, delivers a wry yet touching coming-of-age story punctuated by moments of whimsy and magic, as this unlikely odd couple learn from one another, navigating grief, trauma, and finding hope in the darkest moments. Shooting outside of Thailand - in faraway Colombia - for the first time in his career, Apichatpong Weerasethakul makes his English- and Spanish-language debut with Memoria, co-winner of the Jury Prize at this year's Cannes Film Festival.
His latest masterpiece is mysterious and unique, even by the director's standards, with an international cast of renowned actors including Tilda Swinton, Jeanne Balibar, and popular Colombian TV star Elkin Diaz.
One livid morning at daybreak, Jessica is torn from sleep by a loud bang resembling the reverberating sound of a large stone ball falling on metal. This haunting sound dispels her sleep for days, calling her identity into question and guiding her from recording studios to secluded villages. Here, Jessica also shares memories with Hernan Diaz , a fish scaler who speaks of the past, the future, and the memories of the dead.
Character-driven, unlike Weerasethakul's previous films, Memoria challenges and enriches the director's way of making movies. Weerasethakul weaves his signature serene narrative style into a carefully designed land- and soundscape that captures the elusive genius of the locus with precise, perfect simplicity. We meet Tai, and the animated form of his intrusive thoughts, The Rage Virus. We see his club that failed to take off as he is harassed for it and we witness one of his violent fantasies as he kills another student.
Snapping out of it, he tries to get away from his thoughts until the rage is too much. The virus explodes from Tai and another violent fantasy ensues. Scared of himself, he runs to the bathroom in a panic when the virus gives him a chance to kill himself. But right as he is about to act, another student interrupts his thoughts. The phones on their heads fade away and we hear them talk to one another for the first time. Today is an important day for Zak, but everything is going horribly wrong.
During his adventurous bus ride, Zak goes through a deeply personal metamorphosis. Below the comedic surface lies a warning for all of us to not lose the importance of human connections. As Zak becomes more socially aware and appreciative of his diverse community, so do we. Coming off the heels of an abusive marriage and working at a drive-thru window to make ends meet, Mia earnestly carves out space in her life for her true passions of striptease, dance instructing, and intimacy coaching.
Mia, Marguerite, and Marge is an intimate vignette of a healing woman that uncovers how trauma and empowerment can coexist in unexpected ways. In a small town square a young girl counts her savings. Too proud to accept the charitable shopkeeper's offer to pay later, he finds enough coins to pay for just the bread. Leaving the milk on the counter, he shuffles to the door.
As the young girl watches him leave, she contemplates her next move. In s Koza, Okinawa during the American occupation, American GIs streamed into town en route to Vietnam, and live music clubs raked in enough nightly cash to build a house.
Koza brimmed with money, riots, and rock n' roll music. Shota, the grandson of legendary rocker Haru, has been spending his days in idleness dreaming of music fame, when his grandfather is suddenly killed in a traffic accident. Shortly thereafter, Haru's ghost appears to Shota with an otherworldly proposition: trade bodies so grandpa can take care of unfinished business, just for a little while!
But before he can even respond, Shota finds himself transported to the s, his spirit transmuted to the then young and rocking Haru. The problem is Shota doesn't know how to play rock n' roll or have any of his grandfather's confidence or charisma. The longer he stays in this body, the more trouble it spells for Haru and his band From director Kazuhiro Taira, this body-swap time travelling comedy is hugely entertaining from beginning to end.
Yet underneath the glossy rock n' roll veneer, Taira deftly examines the legacy of the US occupation of Okinawa, the good, the bad, and the ugly. In their own words, they generously share the tales of their childhood, the genesis of their happiness, and the activism that was the result of it.
In this endearing documentary of two elusive but widely-known figures, happiness is explored with a microscope, honing in on tragedy, forgiveness, and compassion as complementary themes. With archival footage and stirring animation, the story of Desmond Tutu's struggle opposing apartheid, the Dalai Lama's transformation from farm-boy to icon, and their close friendship is in full-view as these men display two of the biggest smiles on screen.
While self-proclaimed brothers, they exchange laughs, memories, and philosophies. But their stories are contrasted by different forms of tragedies, and they both encourage the same message of redirecting anger into forgiveness, imbuing compassion into raging crowds, and finding purpose in personal tragedy. At times hilariously inspiring and also sorrowful, this interview-style documentary seeks to inspire compassion as a means to achieving happiness, just as Desmond Tutu and the Dalai Lama attest with their friendship, past, and never-ending smiling faces.
Modern Polaxis is a paranoid time traveller that writes about all his strange experiences in his private journal, which he hides away in a layer of augmented reality AR. This experience is accessible through the app, book, and posters. Polaxis believes the world we live in is a holographic projection from another plane in the universe. This projection is known as Intafrag and is patrolled by Intafrag agents. The agents monitor glitches and pursue time traveling fugitives.
Polaxis believes he is one of these fugitives. But, he can't quite prove any of this because he was pretty wasted the last time he time travelled. Polaxis must hurry, for IF the fabric of our reality is merely a flickering light, what happens when someone flicks the switch off? Wai Bhone, a young film director living in the shadow of his accomplished father, struggles to balance his life as an artist with the real struggles of everyday life in Myanmar. State censors are breathing down his neck to change the story, his producer wants the ending recut as a romantic comedy, and his deadbeat brother-in-law - fanaticizing about his past life as a movie extra - wants to relive past glories as an action star.
Things go from bad to worse when an expensive movie camera is damaged on-set and he has to find a way to cover the costs-by any means necessary. Since the film's release, its writer and producer Ma Aeint has been arrested by the military, making its story even more pressing for the world to see. Marginalised in almost every sense of the word, Burmese filmmakers are rarely given the opportunity to tell their own story.
Through his relationship to the headstrong Long, Fei seems able to find a new lease on life, but then he encounters Xiaolai, the love of his youth, who confronts him with the guilt of his repressed past.
The directorial feature film debut of C. Although the story is set in Southern China, the film was actually shot entirely in Taiwan with support from the Taipei Film Commission after the project's original PRC funding was cut short most likely from its ostensible subject matter.
Filmed over the course of six months and exclusively on a hand-me-down Samsung S6 Active, get a glimpse into someone else's life and how everything is the same--both the comfort and torture of it. The film is a deeply personal yet surprisingly universal piece that will resonate with each viewer. After a run-in with some heavily armed enemies he starts to question his job as a killing machine, and leaves his profession. But his past catches up with him, and he soon becomes entangled in a violent conflict between cyborgs, androids and humans.
The resourceful director, who was used to working with literally nothing, had an actual decent budget, some well-staged and choreographed action sequences, and a well paced plot.
And the aforementioned well paced plot was still razor thin, story-wise, but that was made up of lots of explosions, as well as the occasional bon mot of intellectual and philosophical one-liners about humanity and what it means to be corporeal thrown into the mix. The New American Perspectives program shines a spotlight on foreign-born filmmakers, celebrating the extraordinary contributions of immigrant artists to contemporary cinema and media in the United States.
The panel will explore issues of identity, experience, and representation in filmmaking, and the value of authenticity and creative risk-taking. The creative spirit and innovation of foreign-born artists have made an indelible impact on filmmaking in the United States-expanding the boundaries of filmmaking as an art form and inspiring the next generation of artists and leaders.
She is a Orchard Project Episodic Lab fellow. He grew up studying theater and continued his education at the University of Southern California. Karan co-wrote, starred and executive produced the feature film 7 DAYS.
Geraldine Viswanathan Australian actress Geraldine Viswanathan has quickly succeeded in establishing her career in television and film.
About the Vilcek Foundation The Vilcek Foundation raises awareness of immigrant contributions in the United States and fosters appreciation of the arts and sciences.
The innovation and perspective of foreign-born artists have made an indelible impact on filmmaking in the United States—expanding the boundaries of the medium as an art form and inspiring the next generation of artists and storytellers.
To learn more, please visit vilcek. This event will be presented LIVE online. Go to HIFF. Canada , New Zealand. It's the year Political factions had come to a head after a war broke apart North America. In that process, Canada joined the United States, caving to the argument that the alliance was necessary for survival of the Government previously, known as the U.
As you begin planning a festival, you must stay informed on what local public health officials require for health and safety protocols. Create an open line of communication with all the relevant health officials as you plan your event and consider going above and beyond minimum health requirements to ensure the safety of your staff, volunteers, attendees, and the general public. Before you start planning a festival , it is essential to set concrete goals for what success means for your festival this year.
These goals should serve as a compass, providing you direction on what actions to take in your planning process to ensure success. Your goals should include both overarching objectives and key KPIs that are measurable. Once you select your overarching aims, move on to nailing down specific goals with measurable KPIs. Take the following for example:. Regardless of your festival goals, it is important to document them before you commence your planning process to ensure that everyone on the planning team has a clear idea of what they are trying to achieve this year.
Now that you have a clear understanding of your festival goals, it is time to start allocating a festival budget to make all those goals come true. There are a lot of moving parts of a festival that need to be considered and budgeted for in your festival planning.
Here is a list of common budgetary line items that you should consider as you plan out your budget :. There is so much that goes into planning and executing a festival, and everything must be represented in your budget. Like anything else, it will be necessary to prioritize your budget spending based on your goals and the logistical requirements of running your festival successfully. Now that you have determined your budget, it is time to get out there and secure your festival location or venue.
A festival location or venue can really determine how the festival is perceived by attendees and performers, so it is vital that you pick a location that is accessible to your target demographic and fits with the experience you are trying to deliver.
Finding the perfect location for your festival event isn't easy. In order to ensure your event is accessible to your target attendees and performers, consider the following:. Once you have found that perfect venue, you need to set a date, sign a contract, stay within budget, and make payments.
Don't forget you also have to secure the necessary licenses and permits to hold the festival think zoning and parking. Now it's time for that all-important lineup and vendor planning.
These decisions will determine what kind of experience your attendees will have at your festival, so it is crucial to get it right. Before you even begin making calls, you need to determine your key attendee demographics and what would motivate them to attend your event. Booking a hip-hop artist at a country music festival might be a waste of time and budget, so make sure you have a clear understanding of who you are planning for.
Here is a quick list to help you kick start your line up booking:. It is important to ensure you have a unique sales proposition in all your marketing messages.
Once you have that core messaging nailed down, you can start planning out your marketing channel strategy.
In , there are so many marketing channels to choose from and it's up to you to determine what channels are best to reach your target demographics. Here are a few channels to consider using for marketing your festival:.
The festival is reinvented this year in a union with PayPal , a global buy now, pay later leader. It also means we can shop the runway with ease by dividing purchases into four interest-free instalments with no late fees when buying from local fashion brands. A chic new home for the festival has been announced, as the ever-iconic Fed Square is primed to transform into a bustling Fashion District , complete with a pop-up Fashion Pavilion.
To launch the Festival, a Welcome to Country Ceremony at Fed Square will officially signal a start to the festivities and is free for all to attend. A post shared by Melbourne Fashion Festival melbfashionfestival. Premium runway shows will feature across several cult Melbourne venues, with ACMI being host to many, in addition to the riotous atmosphere of Fed Square. The Gala Runway presented by David Jones will launch the Festival into takeoff, with an opulent and celebratory red carpet and runway show featuring the latest and greatest in garments.
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